An early review of my Ignite talk on “Super-charging Creative Teams with Negative Feedback” at the Internet Researcher 12 conference. Cool!
Around the Campfire at IR12
The Twitter hash for the conference was #ir12. I had a chance to meet Mike Monello from Campfire and hear about his work in transmedia marketing. Monello was one of the producers on the Blair Witch Project. I also went to a panel about communities and behaviors of fans online.
Schools for Tomorrow
Nothing like a livestream to make it real.
I’m speaking on “Tools Available in College” at The New York Times Schools for Tomorrow event. In their words:
. . . we’re bringing together 400 of the most influential leaders in teaching, government, philanthropy and industry. The goal: to harness the power of technology to improve the learning experience. Democratize access to quality education. And elevate the American student to a higher level.
I’m looking forward to the dialogue!
Richard Eldridge Day
The first chapter to Richard Eldridge’s An Introduction to the Philosophy of Art provided a good basis for discussion in class last week. He really shows off his interest in Romanticism, and his leanings towards a Pragmatic philosophy of art. We talked about the problem of “not having a perfect philosophy,” located some philosophizing on a few spectrums-of-discourse, and looked at the history (and problem) of metaphysics as a foundational pillar of the philosophy of art. Good stuff for a first discussion!
Strage Prize 2011: Christopher Emdin
Gerat video by the EdLab Team about a great teacher and scholar. I am proud to say I was a (small) part of this!
Two Steves

I’ll be using my friend Steven Wolkoff’s work as a talking point in class tomorrow.
This kind of formalism gives us a lot to think about. What happens if/when students make art like this in school? How can a teacher approach it? What could they say about it to other students? These kinds of questions will be at the heart of our investigations this semester.
Juxtapose that with Steve Lambert’s recent work:

It’s much more politically charged (I think you’ll agree). If this kind of work is being done in a high school art classroom, for example, how can teachers and students respond? How can historical and philosophical foundation support and enhance both these kinds of work?
Intellectual Cosmopolitanism

I’m getting excited for the upcoming New York Times’ Schools for Tomorrow conference, and working on my presentation. I’ll be on the “Tools Available (college-level)” panel, and I’d like to convey some ideas about the future balance between tradition and timeliness in the academy. It’s hard to articulate an interesting position in the 5-10 minutes that I’ll likely have. So here’s one idea . . .
Without prognosticating, I’ll sketch out a view of the growing necessity of intellectual cosmopolitanism at the K-12 level—the idea that curriculum must continue to diversify around cultures and cultural practices.[1] Why? Well, as people around the world are increasingly connected, it’ll be harder to maintain a narrow worldview—and related mental habits. Right? (Hey, I’m not suggesting this will happen overnight.) In other words: more tech = more appreciation of diversity.
The import for college-level learning is that students will already have formed a two-pronged approach to education: increasingly relying on personal and non-school tools (more appreciation of diversity = a greater economic incentive to learn) for rote and “professional” learning (including deep expertise in academic subjects) while engaging community-focused and group-based learning in the classroom.
On this view (and let’s say 10-20 years away, just to push the limits of non-prognostication), civics emerges as a dominant theme of secondary formal education, while higher education increasingly becomes grounded in problem-solving (now more fashionably called “design”). Traditional modes of liberal learning (reading, writing, discussing) will not disappear so much as take place outside of formal education (fingers-crossed?). Instead of lamenting this retreat, educators must to pursue ways to connect group work to liberal learning—to make it count, so to speak.
Sound familiar? The more things change . . .
OK, so this isn’t groundbreaking stuff, but I think this perspective allows me to speak to several interesting points:
- Group work will be standard practice. And it needs to get much better. Mainstream collaboration tools like Google Docs have improved communication and information sharing (full disclosure: I haven’t yet checked for evidence here), but there is room for improvement and specialization. Today, there are dozens of collaborative writing tools for different purposes. We can expect to see these options across all disciplines and modes of knowledge-sharing. Goodbye lectures.
- Certification will happen outside of school. Yep, that’s right: no more “high stakes” tests in college, at least. Probably K-12 too. Students will still have to take them for a variety of reasons, but they’ll be created and offered by national (international!) consortiums (of one sort or another) and proctored by a handful private companies (want to take the SAT at a Google facility, anyone?).
- Open data standards don’t matter. Students of all ages will want access to their own data. And they should get it from small companies and large educational organizations alike by virtue of market pressure. But that doesn’t mean companies have to adopt complex systems (like Raymond’s data backpack). I know this is speaking heresy, but this is good news for small companies who would otherwise be squeezed out of the education space but tech giants—a scenario that would be reminiscent of publishing giants dictating curriculum through textbook production.
Thoughts? I still have plenty of time to sharpen my thinking!
[1] I’m not sure if the term “intellectual cosmopolitanism” has been used elsewhere, but I think it poetically captures the force that technologies are exerting on curriculums and teaching practices.
Philosophy as History
This afternoon I had the honor of working with Art Education students in Teachers College’s Instep program – thinking about John Dewey’s legacy and impact on art education. As preparation for the lecture and group activity (collaboratively writing philosophies of art education), we read:
- Ursula Niklas’ “On the Philosophy of Teaching Philosophy of Art” to reflect on how philosophical methods can be used in different ways within the context of art education.
- The Encyclopedia of Aesthetic Philosophy’s “John Dewey: Survey of Thought” entry on John Dewey for a historical look at the impact Dewey had on discussion of art, education, and philosophy.
- Three chapters from John Dewey’s “Art as Experience” to better understand his philosophical views and context (at the very least read the “The Live Creature” passage from 525-540).
- The Wikipedia entry on Richard Shusterman (a contemporary aesthetic philosopher) to see how Dewey’s philosophy continues to serve as a philosophical touchstone (especially the “Definitions of art” section): http://en.wikipedia.org/wiki/Richard_Shusterman (Actually, they didn’t get the Shusterman reading in time, but I spoke about it in my short lecture.)
It was a tough session to plan for, as I wanted to provide a broad view of Dewey’s relevance to art education, but also engage the class in thinking about the use and purpose of philosophy in their own teaching practices. Still, in good hermeneutic fashion, I tried to allow for both.
I asked everyone in the class to say a bit about their background in grappling with a teaching philosophy, and perhaps it was no surprise that people had a wide range of experiences – with respect to geography, philosophy, and education.
During the course of my talk, some interesting questions arose – about the use of wikipedia for doing philosophy, about my description of the “essence” of hermeneutics, and about whether or not teaching experience is necessary for philosophers who grapple with truth(s) of art and education. This latter question was one I did not have a chance to respond to in class, so I’ll respond here: this is a well-worn question across many philosophical disciplines, and there is no easy answer. On some accounts teaching experience is a hindrance, but on most it is an asset. Essential? Let’s not go that far. Valuable? YOU BET.
I’m not sure the philosophy-as-history angle was a useful hermeneutic, but it did allow for an important central argument: that philosophy is a tradition with which art educators must grapple. I hope it was interesting enough for these students to latch onto, and hope for feedback in the future. I’d like to keep working on this set of ideas, and a short lecture is an interesting (if challenging) format.
The students appeared to have engaging discussions about four elements of a “Deweyan Philosophy of Education” I put forward: Context, Definition, Interpretation, and Excellence. I hope they are able to continue to speak back to these four deeply philsophical themes in the future.
Thanks to the students for their energy!
What’s Hot on the Newly Released Vialogues Site?
The new Vialogues embed looks great. Congrats to the development team for a slick new interface.
MBA Fail
I like Wall’s quick look at the realities of entrepreneurship: Why MBAs Fail at Entrepreneurship, and in particular his inclusion of the problem of workers with a sense of entitlement.